LINES OF RESEARCH
From the Cold War to Globalisation
Researcher in charge: Paula Barreiro López | Universitat de Barcelona
This project centres around two main axes of study. Firstly, the analysis of the discursive narratives of modernity as shaped by artistic practices and aesthetic and critical discourses. Such analysis is also taking into account the role of institutions and exhibitions in the formation of modernist practices in the different contexts across the transatlantic world during the Cold War. Secondly, the study of the influence and the role of these transatlantic configurations in the transition from modernity to post-modernity and their ongoing presence in today’s global world.
Methodologically, the project will centre on transnational studies seeking to expose the networks of collaboration and contact zones developed by artists, critics, curators as well as art and political institutions; it seeks to show in which way these contributed to the development of a transatlantic culture. This approach will permit the configuration of a new cartography of artistic practices and of extra-institutional, institutional and political relations along the transatlantic axis. Doing so will allow us to question the historiography of art during the Cold War, and contribute towards the reconstruction of these narratives brining into the equation countries such as Spain, Mexico, Brazil, Argentina and Cuba. In this way the normative, western and colonialist modernity will be displaced to reveal a plurality of realities which gave way to different projects of artistic modernity that challenged and resisted dogmatic Modernism and its principles.
This research axis is connected to the research project Decentralized Modernities: Art, Politics and counterculture in the trasatlantic axis during the Cold War (HAR2014-53834-P).
Art, Politics, Counterculture, Decoloniality, Plural Modernities